On set supervising and data capture

Vfx elements

Using the previz and techviz makes it easier to capture the right elements for vfx shots. I can capture data needed later on in post production like HDRIs, lidar scans or camera data capture in order to make the transition into post production as easy as possible. I ensure the live-action footage captured on set is of the highest quality and meets the technical specifications required for VFX integration. This involves monitoring color consistency, focus, and other technical aspects. Very often I end up directing the shoot of elements and miniature myself. Click on the images to see some examples on my "From script to screen reel"

Testing a "Flying rig" for actor Benny Wong on "Spirit Warriors". My job for CBBC: Vfx supervisor

With director Jon East on set of "Spirit Warriors". My job for CBBC: Vfx supervisor

View from the top of a cherry picker, ready to shoot burning trees,on set of "Spirit Warriors". My job for CBBC: Vfx supervisor

Discussing camera tracking with Creative Technolgy's Art Director Will Case. My job for CT: VP supervisor

Last minute tech vis at the Arri Vp stage. My job for CT: VP supervisor

Rough conping while shooting some underwater elements. My job for SAT1: Vfx supervisor

The vista over Shepperton Studios. My job for MPC: Previz supervisor

Can the UE city sample hold up in virtualproduction? Doing a test at the Arri stage. My job for CT: VP supervisor

On set in Barandov studios in Prague. My job for SAT 1: Vfx supervisor

Making toddlers fly. My job for Unit/Netflix: Vfx supervisor

The Love Island cockpit.Shooting a title seq. My job for Unit : Vfx supervisor

Checking a shot on short film shoot. My job for Jayceee Film & Vfx: Vfx supervisor